For entrepreneurs and independent producers today you have to have a real sense of business that is equal to your sense of story. It’s the position that you kind of have to know something about everything to do the job effectively. Yeah, I think it’s partially why you become a producer in the first place. I’m sure it’s more fun to delve into these different genres too. We’re driven by human stories, originality, and the partnership. We generally ask a couple of questions: Has this been done before and does it need to exist? It doesn’t matter what genre it is, but is this a good version of that thing for the audience that’s going to respond to it? We’re not driven by it to be comedy, to be horror, to be drama. For us that oftentimes can be more important than the actual pitch. More often than not you’re picking a partner. You’ve produced The Messenger, Get Out, Band-Aid, Pride and Prejudice and Zombies-that’s a pretty wide range of genres. Together, they went on to produce their most successful endeavor yet: Jordan Peele’s directorial debut and four-time Oscar nominee Get Out. In 2016, he partnered with co-founder Sean McKittrick to form QC Entertainment, sprinkling some nutrition in the popcorn, as he says, by producing socially-conscious entertainment. Film Factory in 2004 and Movie Package Co. When he arrived, fresh out of college and with little professional experience,he only knew one person.Īfter graduating with his radio-television-film degree, Mansfield worked various production gigs and learned the ins-and-outs of financing, contracting, and negotiating films, eventually co-founding his own production companies, Bopopolis Bros. It only took one trip to Los Angeles for Ray Mansfield, BS ’00, to go home, pack all his things in his trunk, and move to Hollywood. Five Questions With Get Out Producer Ray Mansfield
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